Yearly Archives: 2018

With its Alpha series of mirrorless cameras, Sony is playing a calculated game of wooing different types of DSLR user over to its system. The Alpha 7R cameras, for instance, boast the kind of high megapixel counts favoured by landscape and studio shooters, while the Alpha 7S series are seriously impressive low-light machines designed to appeal to those who work in video (which they have done very successfully).

Until last year, there wasn’t much in the Sony stable to seriously tempt sports and action photographers. These are the kind of people who prize speed and accuracy above all else, the vast majority of whom you would find using cameras like the Canon EOS 1D X Mark II or the Nikon D5. That has now all changed with the arrival of the Sony a9.

If you’re reading this, you’re probably at least somewhat familiar, so we’ll keep the recap brief. The Sony a9 is a speed demon, able to shoot continuously at up to 20fps with no viewfinder blackout, a feature complemented by its beast of an autofocus system that comes sporting 693-point focal plane phase detection points and is able to handle up to 60 AF/AE tracking calculations per second. All this is complemented by additional speed-oriented features such as a generous image buffer (241 Raws, 362 JPEGs), maximum shutter speeds of 1/32,000s, dual SD Card slots, and 5-axis in-body image stabilisation that provides a shutter speed advantage of up to 5 stops.

As you can see, the Sony a9 is a fearsome, complex tool for speed shooters. And like any complex tool, in order to get the most out of it, you have to know how to use it. That’s why we’ve put together this helpful guide to its many different focusing modes. We’ll give you an overview of each mode, and suggest some situations in which it could be put to good use.

Basic focus modes

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[gdlr_column size=”2/3″]Let’s quickly get the basics out of the way. The Sony a9 carries four general focusing modes, most of which you’d find on any camera of its class. They can be set using the marked dial at the top, and are as follows:[/gdlr_column]
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AF-S (Single-shot AF)

Focus locks in place once acquired. Useful for still subjects.

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AF-C (Continuous AF)

The camera continues to focus when the shutter button is half-depressed. Useful for moving subjects.

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MF (Manual focus)

Focus is set manually by the user. Focus peaking can be turned on or off in the settings menu, providing a graphical representation of the focusing accuracy, and photographers can also make use of MF Assist, which provides a zoomed-in view of a selected focus point on the LCD screen and thus allows for even finer adjustments.

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Direct Manual Focus (DMF)

A combination of auto and manual focus, DMF allows users to acquire focus with the AF system and then fine-tune it manually. No one would be using this on any subject that moves, but it can be very useful for applications like macro shooting, striking a nice balance between expediency and precision for situations where the photographer needs the plane of focus to be incredibly precise.

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Back Button Focusing

One thing that’s also worth noting before we delve into the autofocus modes is that if you don’t want to set focus with the shutter, you can set up the Sony a9 to perform back button focusing, i.e. using one of the rear buttons as the trigger for acquiring focus. This requires delving into the menus to turn off Shutter AF and then heading to the button customisation options to assign focusing to your button of choice.

While it is a bit of a pain to set up, it can be extremely useful to get to grips with Back Button Focus if you’re going to be photographing moving subjects – which, with your Sony a9, you probably are. It’ll mean your camera won’t automatically attempt to refocus if you accidentally lift your finger a little from the shutter release, and that you can recompose without losing your subject.

Autofocus

Stills shooters using a Sony a9 probably won’t be using its manual focus functions a whole lot. The camera is a speedster first and foremost, best for tracking fast subjects whipping across the frame, and that means that the vast majority of the time a stills photographer will be using autofocus.

To that end, Sony has provided an abundance of autofocus modes that cover the frame in different ways, and if you’re going to use the camera effectively, it’s very important to have a solid grasp of what these different modes do and when it’s most appropriate to use each one.

Let’s run through them.

Wide

This is the standard mode, the broadest focusing mode available. Putting the a9 on this setting tells it to use its autofocus system to search the entire frame to find a subject to focus on.

You’re going to want to use this in situations where you simply don’t know what’s going to happen – you have an unpredictable subject that’s moving erratically. However, you ideally also need this subject to be the only thing in frame, moving against a fairly uniform background. A single runner on a track, a bird in flight – these are good examples of when you might use the Wide mode. In any more complex situation than that, Wide may not hone in on what you want it to.

Zone

This is a more targeted mode. Here, the photographer uses the touchscreen or joystick to specify a rectangular segment of the frame where they want the camera to acquire its focal point. It’s useful for giving the camera a clearer idea of your intentions for a busy scene – say you want to get the player further away from you who’s likely to shoot, not the more prominent but less immediately interesting player who happens to be closer to you.

Centre

The camera uses a small, fixed rectangle in the centre for focusing. This is useful for when you’re firing off shots and simply need to focus and recompose.

This mode can be customised in the settings menu, with the option to switch on Center Lock-on AF. With this switched on, once the system acquires focus on the central point, it’ll continue to track that subject even if it moves to a different part of the frame.

Flexible Spot

This is a versatile, flexible focusing mode, and it’s well worth investing the time into getting comfortable with using it. With this mode, the photographer freely specifies the precise point where it wants the camera to focus. This can be done with the joystick, but is so much more fluid and intuitive when done on the touchscreen – simply tap the point in the frame where you’d like the focusing rectangle to go, and you’re set. Once you get comfortable with it, you can quickly focus, shoot and refocus with incredible precision. The size of the Flexible Spot can also be adjusted, with three settings available: Small (S), Medium (M) and Large (L).

This mode can also work with Lock-on AF, allowing you to track the subject that’s been acquired using the Flexible Spot.

Expand Flexible Spot

This is the same as Flexible Spot, but with a wider target area that’s designed to be a little more forgiving. It’s useful if your subject is difficult to pick out against its background.

Detection modes

The Sony a9 also comes with some focusing modes designed to make it easier to photograph people.

Face Detection

This is the standard face detection mode that comes on most sophisticated cameras (and smartphones) these days, and it can be turned on or off in the settings menu. The Face Detection modes can track faces its detected – once there’s a lock, it’ll follow the face around the frame.

What’s interesting on the Sony a9 is that it comes with a Face Registration system, which allows the user to teach the camera to recognise and prioritise specific faces in crowds. Wedding photographers in particular likely sat up a little straighter upon reading that – simply grab a quick pose from the bride, groom and other key players at the start of the day, and you’ve got some assurance that the camera will hone in on the most important people in every scene.

It’s worth noting, however, that Face Detection will not override other focus modes, so if it detects a face outside of the point you’ve specified with Flexible Spot or whichever mode you’re using, it’ll register that face (and mark it on your LCD), but won’t focus on it unless you move your point to cover it. This is useful for maintaining a degree of control over what the camera is doing. If you’d like the focus point to be entirely governed by Face Detection, you can simply set the autofocus mode to Wide, which as you’ll recall will encompass the whole frame.

Eye Detection

A more precise version of Face Detection, this does exactly what it sounds like – detects eyes in the frame, and focuses on them. It can also track a person’s eyes around the frame, and this function works very, very well [link]

This is a really useful function for portrait photographers, who need to get the eyes dead-on and are also working with very shallow depths of field. The tracking feature also expands the possibilities of a shoot – if you want your subject doing something a little more active than sitting perfectly still, Eye AF means you can track them in motion without sacrificing pin-sharp focus or your shallow depth of field.

Further reading

Sony has provided a useful chart on its website as to the specific sports and situations you might want to use different a9 focus modes for [link], but the best way to find out is of course practice! Use your a9 in different situations, experiment with its focusing modes and find out what works for you.

We hope you found this guide useful. Are there other functions of the a9 you’d like to know about? Let us know in the comments or on social media!