VLOGGING GUIDE | SONY A6500

Vlogging Guide | Best Cameras For Vloggers

Thinking of starting a YouTube channel, or sharing videos of your exploits on Facebook, Instagram or another social media platform? Then you’ll want to pick up one of the best cameras for vloggers.

Welcome back to our vlogging kit series, where we run through some of the best cameras and other equipment that’s out there for prospective vloggers right now.

You may or may not have been tempted by the idea of vlogging before, but even if you’ve never considered it, we’d definitely recommend giving it some thought. Vlogging tends to demand less production value than other types of video, and as a professional working in stills or video, you already have a wealth of material to vlog about with a built-in audience. What kind of kit are you using for your shoots – what do you like about it, what do you wish were better? How do you approach different kinds of shoots and subjects? People are interested in this stuff, and being able to connect with them through vlogs is a great way to open up new opportunities and even potential revenue streams.

Previously in this series we’ve covered the Nikon D7500 and the Fujifilm X-T2. Today in the hot seat is the Sony A6500, part of the tech giant’s APS-C camera range. Confusingly, it is not the newest of these – the A6400 was released a little later. Why? We don’t know. No one knows.

Cameras in this series are principally known for being super-fast and relatively affordable do-it-all cameras, with snappy burst speeds and autofocus systems to match. So what makes this one such a good choice for vlogging?

Let’s dig into its feature-set and find out.

Why the Sony A6500 is perfect for vloggers

The street-style, lightweight Sony A6500 fits perfectly with the others in the series that have come before it. That means that one of its big concerns is a fast, comprehensive autofocus – and it doesn’t disappoint, with an autofocus system that uses a combination of 425 phase-detect points and 169 contrast-detect points. This absolutely massive focus-point density means it’s able to acquire and keep its subjects near-instantly, and stands you in good stead for any and all vlogging you might want to do – minimal awkward moments were the camera hunts for focus after a sudden change in viewpoint.

The guts of the camera consist of a 24.2MP Exmor APS-C CMOS sensor paired with a front-end LSI and Sony’s Bionz X processor, all of which ensures the camera provides superior fast operation. While previous models in the series didn’t carry the capacity to produce 4K video, the A6500 happily shoots 4K UHD, and can also capture Full HD at up to 120fps for super-slow motion footage. While many vlogs are uploaded and watched in Full HD, being future-proofed is no bad thing, and the fact that the A6500’s 4K footage is oversampled, with no pixel binning – it’s captured at the equivalent of 6K – is another feather in its cap.

The A6500 is the first APS-C Sony camera to come packing 5-axis image stabilisation, which works with or without Sony’s stabilised lenses. Video recording is also made easier with Touch Focus, and serious video users can make use of the S-Gamut/S-Log modes to produce footage with a wide dynamic range, perfect for colour-grading in the edit. A Gamma Display Assist mode also makes it easier to ensure you’re getting a correct exposure while shooting in these modes.

The A6500 isn’t perfect. Frustratingly, its screen does not flip all the way around, making it difficult to monitor your shots if you’re filming yourself. It is also still quite a pricey camera, and you may find smaller and tidier options to be more to your liking from Canon, Fujifilm or Nikon. It only has one card slot, not two, and while it’s certainly more affordable than the full-frame Alpha 7 models, it’s still not exactly a cheap camera. These factors are worth bearing in mind before making any decisions.

Sony A6500 rigged for video

An ideal vlogging setup with the Sony A6500

If you want to maximise the production value you get out of the Sony A6500, then it’s worth thinking about the best accessories to use. It doesn’t have to be a massive outlay of cash – a few well-chosen accessories can make a massive difference in the quality of your videos, not to mention the ease of producing them, and luckily for you, we’ve picked out a ready-made list of the best ones around right now. While this list isn’t exhaustive, it also isn’t compulsory – even just a few of these will really see your vlogging improve.

So here’s what we reckon you should get:

– A good all-encompassing lens. You ideally don’t want to be faffing about changing lenses too often. We’d say something like the Sony 16-70mm f/4 will cover a solid focal range that should give you all the coverage you need for the vast majority of your vlogging.

– A good shotgun microphone. A no-brainer here for improving the sound quality of your videos – there’s a reason we recommend it in all of our vlogging blogs. A RØDE VideoMic will suit your purposes fantastically. For more audio control you can use the Sony XLR-K3M XLR adaptor kit, pictured above, with your choice of XLR microphone from shotgun mics to radio lavalier kits ideal for interviews.

– A fast, large-capacity SD card. You might be able to save some money here, as the A6500 isn’t able to take advantage of UHS-II cards, a UHS-I card will do fine. Something from the SanDisk Extreme Pro range will suit you fine – the higher its capacity, the better.

– A stable tripod, ideally one with a head geared for video. Manfrotto, Vanguard, Camlink and Velbon all make great dedicated video tripods with smooth panning heads.

Monitoring headphones to check your audio.

– A video light. Although the A6500 is great in low light, this is a good thing to have when you need it. Look at lights from Rotolight for a good self-contained system.


That’s all for the Sony A6500! We’ll see you next time.

VLOGGING GUIDE | FUJIFILM X-T2

Vlogging Guide | Fujifilm

Thinking of starting a YouTube channel, or sharing videos of your exploits on Facebook, Instagram or another social media platform? Then you’ll want to pick up one of the best cameras for vloggers.

When you’re looking for a great camera for vlogging, there are a number of different factors you have to consider. It’s a given that you need the camera to be able to capture high-quality video, in at least Full HD if not 4K, but there are other things too.

A good vlogging camera should have an external microphone socket so that you can produce top-quality sound for your videos (most cameras’ on-board mics simply won’t cut it for anything but the most amateurish productions). It needs a decent LCD screen for monitoring, should have solid battery life, and ideally shouldn’t be too large and bulky, as you’ll be taking it with you to shoot on location.

People buy vlogging gear for all different reasons – maybe you’re planning to start a YouTube channel, maybe you want to offer your clients an additional service, or maybe you just fancy mucking about with some behind-the-scenes videos of your shoots.

Previously in our vlogging cameras series we looked at a fantastic option – the Nikon D7500. Now we’ve got another recommendation to share with as one of the best choices for vloggers, this time a mirrorless camera. Today’s recommendation is the Fujifilm XT-2 with the VPBC-XT2 battery grip.

Read on as we discuss why in more detail.

Why the Fujifilm X-T2 is perfect for vloggers

Those of you who keep up with your camera news might be thinking this a slightly odd choice, given that Fujifilm has since released the X-T3 and X-T30. However, the X-T2 is still a fantastic camera in its own right, and all the subsequent releases mean it’s only going to get more affordable.

The video quality of the X-T2 is more than enough for vlogging. It was the first Fujifilm X-series camera to show that Fuji was really taking video seriously – that’s why it shoots 4K UHD (3840 x 2160) video at a bit rate of 100Mbps, all of which represents a considerable jump from the X-T1. Its footage looks simply fantastic, rendering beautifully thanks to the 24.3MP X-Trans CMOS sensor, and the 3-inch rear display with 1.04million dots makes monitoring your shots a matter of ease. The X-T2 also has a 3.5mm microphone port, meaning it’s easy to attach a shotgun microphone to bump up your sound quality and really improve your footage.

As mentioned earlier, we’re specifically recommending the X-T2 with the optional VPBC-XT2 battery grip. This accessory transforms the camera from a decent vlogging camera into an exceptional one, and if you’re serious about vlogging with the X-T2 we’d go so far as to say it’s essential.

This is for two reasons: #1 the VPBC-XT2 battery grip contains an external headphone socket for monitoring your audio. And #2, the grip extends the X-T2’s maximum 4K recording time from 10 minutes to 29 minutes. Either of those by themselves would be enough to make the battery grip a worthy purchase – put them together and they make it essential.

There are plenty more features we can list on the X-T2 – it has an HDMI output, audio volume live monitoring and dual card slots compatible with UHS-II – but the other thing perhaps most worth flagging up is that it is stylishly and ergonomically designed to be easy to use (with dial-led controls) and to look good too. Lightweight and rugged, the X-T2 is a camera that’ll keep up with you no matter where your vlogging adventures take you.

An ideal vlogging setup with the Fujifilm X-T2

We’ve put together a recommended vlogging setup for getting started with the Fujifilm X-T2. While we encourage experimentation and finding a setup that works for you, here is our selection of accessories you can use to make your shoots run a little more smoothly:

– Get a decent wide lens with a large maximum aperture. This will allow you to gather plenty of light and create shallow depth of field, as well as ensuring that the image you produce is of top quality. Something like the Fujifilm XF 35mm f2 R WR Fujinon Lens is a good choice, providing an equivalent focal length of about 50mm.

– Add the VPBC-XT2 battery grip (pictured above) to make your shoot last longer.

– A good microphone that can take advantage of the X-T2’s 3.5mm mic socket. We recommend the RØDE VideoMic GO, a portable and powerful microphone that’ll easily fit in your kit bag.

– Get multiple UHS-II memory cards. The X-T2 has two powerful card slots – use them! Get a couple of SanDisk Extreme PRO UHS-II cards in your preferred size (we’d recommend going as high as your budget allows).

– A tripod that’s geared for video. Stable but lightweight, with a head that enables smooth movement. The Manfrotto 500 Video System is a good choice.

– A pair of monitoring headphones for keeping an eye (an ear?) on your sound. You can’t go wrong with a pair of Roland RH-5 headphones.

– A video light. This doesn’t have to be expensive, but is useful to have in a pinch. Something light the Rotolight NEO II is ideal.


That’s all for the Fujifilm X-T2! We’ll see you for the next instalment of our vlogging kit series.

PROFOTO A1X FOR FUJIFILM

Profoto A1X for Fujifilm

The fantastic Profoto A1X speedlight flash is now available with a Fujifilm hot-shoe for full TTL compatibility with Fujifilm X-Series and GFX cameras. Fast recycle times are a benefit to any photographer shooting weddings, events or press. With Profoto AirTTL technology you can use this flash as a remote light source, or as a control unit for multiple Profoto flash heads.

Travelling light

Profoto A1X is compact and powerful. The flash is powered by an on-board rechargeable Lithium-Ion battery. This high power battery recycles the flash head fast, removing the need for external battery packs and cables. The Profoto A1X has a magnetic system snap-on system for light modifiers and comes with a wide-angle diffuser and a dome diffuser and a bounce-card which each snap on / off in a moment.

The Profoto A1X for Fujifilm is £949 including VAT.
To order call our expert sales team on 0207 582 3294 or email: sales@fixationuk.com

Profoto Air TTL

Profoto Air TTL technology allows you to use your camera system’s flash metering with a broad range of Profoto flash heads, from the on-camera A1X to the mighty Pro-10 Generator. Once your lights are in place, you can point, shoot and let your camera worry about the exposure. The wireless Air TTL connectivity, from camera to remote flash heads, saves you time when conditions change on location as the TTL metering will raise and drop the flash output as required. For precise control you can switch to Manual output and dial power up or down. The A1X and A1 speedlight flashes work as AirTTL commander units and as remote lights. Profoto also produce dedicated AirTTL remotes for Canon, Nikon, Sony and Panasonic TTL systems so you can use your familiar Profoto setup across a broad spectrum of cameras.

VLOGGING GUIDE | NIKON D7500

Vlogging Guide | Nikon

Thinking of starting a YouTube channel, or sharing videos of your exploits on Facebook, Instagram or another social media platform? Then you’ll want to pick up one of the best cameras for vloggers.

Adding vlogging and quick video sharing as another string to your bow is a great idea for a visual creative – even if you don’t plan to make vlogging your primary source of income, it can be an excellent way to connect with a different audience, have some fun while out on your shoots, and potentially connect with a whole new client base.

Whether you want to make shoot diaries, explainer videos, interviews or just slice-of-life vlogs, you’re going to need one of the best cameras for vlogging, and in our new blog series we’re going to explore a few of the best options available right now.

First up, we’re taking a closer look at the Nikon D7500. First unveiled in 2017, this is a capable APS-C DSLR from the venerable manufacturer, and it’s a great choice for any vlogger.

Let’s take a closer look to find out…

Why the Nikon D7500 is perfect for vloggers

As mentioned, the D7500 joined Nikon’s DX lineup of crop-sensor cameras, but it slotted into this range in an interesting way. It actually sports a sensor with a lower megapixel count than previous models in the series – 20.9MP rather than 24MP. This provides it with other advantages such as a native ISO range of 100-51,200, expandable to a whopping 1,640,000.

For video users, the drop in sensor resolution doesn’t make much difference, but the advantages of additional sensitivity are huge, and would be a real advantage if you plan to shoot at night or anywhere that light conditions are sub-optimal.

Nikon radically upgraded the video capabilities of the D7500 – it’s capable of capturing 4K UHD video at 30p for up to 29 minutes and 59 seconds. Full HD can also be recorded at up to 60p, and the D7500 also allows for an uncompressed HDMI output running at the same time as recording to a card, for an instant extra backup to ensure you never lose footage. You can record footage in MP4 and AAC formats to optimise it for viewing on mobile devices, and also take advantage of Nikon’s Vibration Reduction technology for smoother handheld shooting. This is a highly capable video machine that’s specifically optimised for quick shooting in all sorts of different conditions – in other words, it’s ideal for the vlogger.

There are plenty of other features that make the Nikon D7500 a great camera for vlogging – its 3.2-inch tilting LCD monitor is a boon for all sorts of shooting situations, allowing you to capture footage from different angles and explore different perspectives. It’s also useful that all told the camera weighs just 640g, and that the extensive weatherproofing means you can shoot outdoors without fear of damaging it.

A perfect vlogging setup with the Nikon D7500

While the Nikon D7500 is a great vlogging camera, you’ll get the most out of it if you add a few well-chosen accessories. Here are our picks for the ideal vlogging setup with the Nikon D7500:

– Get a fast, wide lens. Though zooms add versatility, primes are best for quality. A nice, wide focal length will make it easy to frame up, as well as keeping your kit light and compact. Something like the Nikon 24mm f1.8G ED AF-S Lens would be ideal.

– Get a good microphone. Sound quality is arguably the most critical aspect of making videos that feel professional. The RØDE VideoMic GO is a perfect choice, and won’t break the bank.

– A quality pair of headphones such as the Roland RH-5 for audio monitoring (the D7500 has a headphone jack).

– A fast, high-capacity memory card to record your footage – the D7500 only has one card slot, so make it count. The SanDisk Extreme PRO SDXC UHS-I offers cards with capacities of up to 512GB.

– A good tripod. We’d recommend a Joby Gorillapod for maximum flexibility and versatility in camera placement – this grippy tripod allows you to set up a camera in all sorts of unusual places.

– An external recorder. Take advantage of the D7500’s HDMI out functionality with a recorder such as one from the Atomos Ninja range, which can also serve as a monitor.

That about wraps it up for the Nikon D7500. We’ll be discussing more of the best cameras for vloggers soon – see you next time!

UK PICTURE EDITORS’ GUILD AWARD ENTIRES OPEN

UK Picture Editors’ Guild Award Entires Open

Be the next Fixation News Photographer of the Year by entering the UK Picture Editors’ Guild Award. We are proud to be one of the sponsors of this prestigious annual award celebrating news and current affairs photography.

Update: Entries are now closed. We wish all entrants the best of luck and look forward to seeing the winners revealed at the awards.

You can enter eligible photographs taken between Oct 31st until midnight on November 30th.
Closing date for still photographic and video entries: midnight December 1st 2019
Register to enter and submit your images on the UK Picture Editors Guild Awards entry platform: pictureeditorsguild.awardsplatform.com/ details about submission requirements can be found on the UK Picture Editors’ Guild Award About Page.

We support this award because it gives us the chance to celebrate the hard work of some of our most loyal and regular customers from the industry. Here is the full category list & prizes for the award this year:

Canon Sports Photographer of the Year

Entry will be five pictures – fewer or more will not be considered a valid entry. – PRIZE £500

UK Picture Editor’s Guild Royal Photographer of the Year

Entry will be five pictures – fewer or more will not be considered a valid entry. – PRIZE £500

Fixation News Photographer of the Year

Entry will be five pictures – fewer or more will not be considered a valid entry. – PRIZE £500

Bloomberg Business Photographer of the Year

Entry will be five pictures – fewer or more will not be considered a valid entry. – PRIZE £500

Dave Benett Photos Arts and Entertainment Photographer of the Year

Entry will be five pictures – fewer or more will not be considered a valid entry. – PRIZE £500

Fleet Street’s Finest Photo Essay of the Year

… which tells a story and is accompanied by a brief, but clear, narrative to the story – minimum of 10 pictures; maximum 20 pictures. – PRIZE £500

Genesis Imaging Regional Photographer of the Year

Five pictures must be entered and judges will be looking for skill across a range of subjects such as news sport and features. Pictures must have to have been published by a regional newspaper. – PRIZE £500

Sony National Newspaper Photographer of the Year

Five pictures must be entered and judges will be looking for skill across a range of subjects such as news sport and features. Pictures must have to have been published by a national daily or Sunday newspaper Eligible entrants are staff photographers or freelance contributors commissioned by the paper. – PRIZE £500
Please check entry requirements on the UK Picture Editors’ Guild Award About Page.

Videojournalist of the Year

The video must reflect the wider role of a photographer during an assignment. The footage can reflect any subject. – PRIZE £500
Please check entry requirements on the UK Picture Editors’ Guild Award About Page.

Getty Images Young Photographers Bursary

Entrant to be 25 years old or under by close of entries at midnight December 2nd 2018 Entry will be five pictures – fewer or more will not be considered a valid entry Prize: £500 plus a return flight to the value of £250. The assignment must be completed by last day of September 2019.

Fujifilm Student Photographer of the Year

Entry will be five pictures – fewer or more will not be considered a valid entry. – PRIZE £500

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