Be there first. Leave last. Never give up. image

Be there first. Leave last. Never give up.

It’s official.  Getty Images news photographer Jeff Mitchell is one of the best ‘capture the moment’ professionals on the planet.

This man just can’t stop winning major awards for his work – most recently the UK Picture Editors’ Guild Awards’ News Photographer of the Year – sponsored by Fixation.  And he doesn’t even mind the now broadly used and somewhat pejorative term ‘snapper’. It doesn’t bother me a bit”, he smiles, “I rise above it. I may be a snapper but I think I am reasonably good at it.”

© Getty Images | Jeff Mitchell

The 47-year old Scot who lives with his wife and two children, just a stone’s throw from Loch Lomond, lives out of a suitcase – and a camera bag that hosts his two go-to Nikon D5s, an  assortment of Nikon lenses, including the 24-70mm ƒ/2.8, the 70-200mm ƒ/2.8 and the ‘must-have’ 500mm ƒ/4. The smaller Fujifilm X100T is another favourite backup and personal use camera.  He says: “It sits in my pocket and I can hold it with one hand. When I use it in the street, I often get people apologising for getting in the way.”

He adds: “When I won at the UKPEG Awards I was given a Fixation voucher and the office bought me a Nikon 300mm ƒ/4. I also bought a 35mm ƒ/1.4 – a lens I have coveted but have never had in my portfolio before.”

Jeff globe-trots seamlessly from one assignment to the next. It could be photographing unrest in the Ukraine; USA election conventions; mass demonstrations in Paris; A World Cup in Brazil; The Commonwealth Games in Glasgow; capturing international political leaders on the hustings (and the obligatory pictures of them kissing babies of course) tracking the refugee exodus from the war-torn Middle East – and most recently the post Manchester Arena (Ariana Grande concert) carnage.

© Getty Images | Jeff Mitchell

He confesses: “It’s often exhausting. What I do is physically draining. It’s a different type of tiredness. A guy digging ditches will go home and his body is aching all over. He is physically exhausted. But what I do is tiring mentally too. When I was driving back home after my stint in Manchester after the concert massacre I just had to pull off the road and sleep for a couple of hours in a layby. I had been out on the street from 7am until late night, constantly working.”

He added: “And of course there are occasions where I know I am putting myself in harm’s way too. I was on the front line for example in Ukraine. In these situations you have to be very careful because you can simply run out of luck, especially if you are covering a war zone over a protracted period.”

The flip side/antidote is his downtime photography: ‘I love taking pictures of nature and landscapes’ he adds.  Reindeer herds and peat cutter and tweed makers in Scotland. It’s a great way to put the brakes on.”

© Getty Images | Jeff Mitchell

News photography is in the Mitchell DNA.  ‘Photography has always been in the family’ he notes. ‘My dad had a darkroom in the basement and I loved helping him out. I used to rock the developer tray and thought it was magic when a print came out.’

Jeff rose through the local newspaper ranks in Scotland and then joined Reuters agency. ‘I had a ball there for ten years but then I fancied a change. I was shooting a lot of sport and I wanted to do more news, so I left and joined Getty.’

He adds: ‘I started on January 1st 2006 and they haven’t kicked me out yet. They seem happy with my pictures but they still have to suffer my bad captions and dyslexic writing. I remember one of the girls on the picture desk commenting: ‘Thank God you can take pictures Jeff because your captions are awful’.

© Getty Images | Jeff Mitchell

Of course it’s a truism that you’re no news photographer unless you can click that shutter at the right moment – an art form in itself.

Says Jeff: “Cartier Bresson noted that ‘photography is the simultaneous recognition, in a fraction of a second, of the significance of an event’. I know what he meant. I do get a strong feeling about a good picture. It’s more instant these days, thanks to digital technology…and I know when I’ve got a good one. I knew in Manchester that the shot I took from a high window vantage point of the silent crowd in the square that day was going to make the papers.’

© Getty Images | Jeff Mitchell

He adds: ‘I know I’ve won a few awards but I still think to myself…if only I’d got the pictures I’ve missed!  For example, in Paris during the May Day riots, another photographer a few yards away got a fantastic picture of a policeman engulfed by flames as he tried to kick away a Molotov cocktail. The other photographer was closer and so he got a better picture than I did.

It’s all about fractions of a second. That feeling of not getting the best shot stays with me for days.’

‘Our job as news photographers is to observe and record history. I am not recording these events for myself, I am doing it for the world to see….so I need to be the best I can be.

I think that this job is a bit like boxing…there is always going to be someone more capable than you. I don’t kid myself at all – and sometimes it’s amateurs that can capture great shots.’

© Getty Images | Jeff Mitchell

The harder you work the luckier you get

Says Jeff: ‘I think I am a decent news photographer.  I don’t know much but I know news. And these days the lightning speed of digital and the luxury of auto focus makes it easier to get good images.’

He admits that luck does come into the frame:

“I was covering the return of the Royal Highland fusiliers when two year old toddler Scott Boyle suddenly broke away from his mum to try and get to his soldier dad. That picture was pure luck….but you still have to be there in the right place to benefit from that luck. Someone said that the harder he worked the luckier he became. I agree. My mantra has always been: Be There First. Leave last. Never give up.’

Amongst a plethora of images captured across the world there are three key assignments that are still firmly resident in Jeff’s mind.

He recalls: “I won’t ever forget my time in the Ukraine, or the ongoing migrant crisis. And then there was the foot and mouth disease epidemic. My picture of a dead cow hanging out of a digger proved to be quite iconic and symbolic of that crisis. It actually made the front page of TIME Magazine.’

© Getty Images | Jeff Mitchell

The truth, the whole truth and almost nothing but the truth

Jeff craves honesty in his work.

“I don’t like setting things up. I don’t want to have to talk to people and get them to do things for me. I want to remain as anonymous as I possibly can. And for me images have to be honest. I don’t mind a speck of dust being removed with Photoshop but I don’t think in news photography you should either add to or subtract from a picture. Don’t add in smoke to make the image more attractive – it’s simply dishonest.’

Jeff is employed by Getty Images so he doesn’t ever own his work.

© Getty Images | Jeff Mitchell

He explains: ‘I don’t own the picture but I am its author.  Copyright ownership is a big deal of course for many photographers, but it’s not for me. I am never going to make a fortune  on a picture as perhaps I might as a freelance, but I know I wouldn’t have experienced half the things I have, or been to half the places I’ve visited if it wasn’t for the people I have worked for. It’s a trade-off that I have made my peace with. For me it’s not about earning sheds loads of money. I don’t have a boring life – and I would do it all again in a heartbeat.’

When it comes to mentors and iconic images shot over the decades Jeff  notes McCullin,Capa and Nachtwey – and  images such as the US soldiers raising the flag at Iwo Jima (although he acknowledges that some people think the image was too staged).

Then there are the news photography masterpieces: Nick Ut’s famous picture of the little girl fleeing the napalm bomb attack in Vietnam and the ‘Tank man’ shot by AP’s Jeff Widener in Tiananmen Square.

© Getty Images | Jeff Mitchell

But he admits: ‘I can use all these guys and images as references but for me it’s more about the priceless process of learning from the people I worked with in the past and those I work with now. They probably have more influence than anybody.”

So this multi-award-winning snapper has built a majestic archive of great work for his employers over recent decades. But guess what?  He never takes pictures of his own family.

“I know. I know. It’s a disgrace really’, he confesses. ‘I am afraid I am no different from the painter who never gets around to decorating his own house. There’s barely a photo of my own kids in the house. Not a wedding picture either. My wife takes all the holiday pix. If you want photographs of your kids, then don’t ever marry a professional photographer!’

At this point Jeff Mitchell had to put down the phone to go off and photograph Nicola Sturgeon and Scottish Tory Ruth Davidson (just before the election.)

He said he had no plans to quit the game and work in a supermarket any time soon.

Tips & Tricks | Keep your camera bag clean image

Tips & Tricks | Keep your camera bag clean

When was the last time you cleaned your camera bag? A camera bag may seem unimportant, but it’s vital for protecting your valuable cameras and lenses. A good camera bag will be glued to a photographer’s hip on every trip, making their life easier and more manageable.

But what happens when the edges start to fray, the smell starts to build and the dust starts to accumulate? This is not only unpleasant, but also has the potential to damage your equipment. And that’s why you need to be cleaning your camera bag.

Ideally, you should do regular small cleans, and a deep clean every few months. In this blog we’ll quickly run through the best ways to do this.

We see a lot of bags as dusty as this one!

Regular small cleans

First, it’s important to note that anytime you spill something on your bag, you should make sure to give it a quick wipe with a chemical-free and fragrance-free wet wipe or cloth. This will only take a few seconds, and will save you a lot more hassle later on by preventing the stain from settling in.

It’s up to you how often you do a small clean. It depends how often you’re using your bag, where you’re taking it and what kind of surroundings it’s being left in. If you’re doing daily trips to a sandy beach then it will probably need to be cleaned more often than if you’re going to the studio once a week. But we would recommend once every couple of outings.

First, remove everything from your bag (including the partitions!) and place all the contents in a safe space. We wouldn’t want that camera or lenses to be damaged on their adventure out of the bag.

Grab the vacuum cleaner and give the bag a good hoover all over, getting right into those dark and dusty corners. A lot of dust may have gathered in different pockets, so remember to open up any zippers and compartments and hoover inside those too.

If you don’t have a suitable hoover, then you can use a dry cleaning brush to dislodge any dirt and tip it out into a bin.

Your bag is now looking suitable for its next outing!

The big clean

As mentioned earlier, it’s optimal to do the deep clean of a bag every few months – maybe more often if you make frequent trips. But how best to go about deep cleaning your camera bag?

You may have heard that dumping your camera bag in the washing machine may do the job. But be careful! This may have a detrimental effect on your bag, or simply take forever to dry. It depends on the material of your bag. If a bag takes too long to dry, it increases the possibility of mould starting to form. If that happens, you’ll definitely be shopping for a new bag!

Specifics of cleaning can depend on the material – a nylon or cotton bag will need to be cleaned differently from a leather bag, for instance. However, a universally safe option – one that isn’t too strong and won’t do any damage – is to use warm, soapy water.

Again, do your quick clean. Empty your bag and vacuum the inside, use a cloth to brush away the dirt on the outside.

Mix some soap and warm water. Using a small cleaning brush (alternatively, a clean toothbrush), slowly go around the inside and outside of your bag, coating it with the soapy water mixture. Make sure to give extra attention to any stains or blemishes, and don’t forget to give any zippers a good clean too.

The next step is to use some clean warm water to wash away the soap. So repeat the previous step but with clean water. Clean any straps, handles and partitions with the same method.

When this is done, leave your camera bag in a safe, open place to air dry. Leave it open to prevent mustiness or any mould building up inside. Once it’s fully dry you can place the partitions back inside. That’s your deep clean done!

Lastly, here are a few bonus tips. Make sure you keep on top of trimming any loose threads! Not only do these look untidy, but they can also caught in the zippers. Also, get a rain cover for your bag! This won’t help in just protecting it from the rain, but may also protect it slightly from becoming dirty.

Key points

Do

  • Regularly wipe the outside and vacuum the inside of your camera bag.
  • Brush away the dirt on the outside of your bag with a cloth.
  • Use soapy water and clean warm water to give your bag a deep clean.
  • Remember to clean the zippers and trim any loose threads to keep your bag in good condition.

Don’t

  • Put your bag in the washing machine!
  • Use any strong detergent.
  • Soak your bag.
Tips & Tricks | Take care with memory cards

Tips & Tricks | Take care with memory cards

We’ve all been in that situation – your memory card is full and you have to quickly change cards without thinking.

CompactFlash cards in particular have an awkward knack of almost fitting in the camera if inserted back to front, or even sideways, and the damage this can do is severe; the pins that interface with the card are easily bent, and once this happens, the CF reader unit needs to be replaced.

This D700 shows how easy it is to insert a card the wrong way.

We see cameras come in every week with bent pins and as well as the inconvenience of being without your camera for a few days while we replace the CF reader, the cost can be upwards of £150.

You only need to bend one pin to render your camera’s card reader unusable.

It’s also worth keeping a close eye on the card itself. If any of the holes on the card’s access port are blocked, this can also result in bent pins – even if the card is inserted carefully. And damage to the plastic sheath around the holes can also cause problems when the card is inserted.

If your cards look like this, it’s time to replace them!.

So next time you’re organising your kit for a shoot, take a minute to inspect your cards using a loupe and remember to double check before you insert them in the camera. It could save you a small fortune.

 

Canon Launches EOS 6D Mk II image

Canon Launches EOS 6D Mk II

The Canon EOS 6D Mark II camera for photography enthusiasts.

Building on the strength off the EOS 6D, the EOS 6D Mark II will help you achieve new creative goals, with advanced performance and innovative features that will support your next steps in photography – wherever they might lead.

Improved image quality

The EOS 6D Mark II’s full-frame sensor packs 26.2-megapixel resolution and has superb low light performance, letting you capture intricate detail even in bright highlights and dark shadows. Image quality is maintained when light levels get low, with a max sensitivity of ISO 40,000 (expandable to ISO 102,400).

Fully connected

The EOS 6D Mark II can maintain a constant Bluetooth® link with your smartphone or tablet. This makes activating Wi-Fi easy, so you can browse and share images, and shoot remotely using your device’s screen. The EOS 6D Mark II’s built-in GPS geotags your images as you shoot.

Key Features

  • EOS 6D Mark II:
  • Full-frame sensor that packs 26.2-megapixel resolution
  • DIGIC 7 Image Processor
  • 45 cross-type AF points autofocus
  • Dual Pixel CMOS AF in Live View mode
  • Continuous shooting at 6.5 fps
  • Max sensitivity of ISO 40,000 (expandable to ISO 102,400)
  • Vari-Angle Touchscreen
  • Full HD video with in-camera 5-axis digital stabilisation
  • Bluetooth ® and Wi-Fi work together to make controlling the EOS 6D Mark II from your smart device
  • Built-in GPS geotags imagesNew Battery Grip BG-E21 available as an optional accessory

 

To find out more about the EOS 6D Mark II, contact sales on 020 7582 3294 or email sales@fixationuk.com

Tips & Tricks | Keeping your sensor clean image

Tips & Tricks | Keeping your sensor clean

Have you ever taken a shot on a clear, sunny day, only to find dots and marks all over it when you come to review? You thought you got it right first time, and suddenly you’re looking down the barrel of hours in Photoshop or Lightroom to remove the dots. Well, if this keeps happening, it’s likely your camera sensor needs a clean.

Sometimes, dirt on a sensor can go undetected for a long time. If you habitually shoot wide open, the narrow depth of field may obscure the particles for a long time, and you’ll only see them when a job requires you to stop down. If you’re caught flat-footed by this on a one-off shoot, it can lead to serious problems – and angry clients!

It’s always best to get your sensor cleaned by professionals, and getting your camera to the Fixation workshop post-haste should be your first port of call. We can usually carry out sensor cleaning while you wait, either at our centres in London, Manchester or Leeds, or at one of the Wex Photo Video stores around the country. If, however, you’re mid-shoot, or otherwise unable to get the camera to us, there are a few things you can do.

The first thing to do is use the in-camera cleaning option. This uses small vibrations to attempt to dislodge dust from the sensor, and if the particles are small it may do the trick.

If this doesn’t work and there are images you need to get right away, then shoot at as wide an aperture as possible to hopefully keep the particles from showing up. We really wouldn’t recommend trying to clean the sensor while you’re out on a shoot, as you’re much more likely to accidentally introduce more particles, or even permanently damage your sensor!

If you’re confident with what you’re doing, you can clean your sensor at home, and we stock the products necessary to do so. Whether you want to dry-clean or wet-clean your sensor, we have hand-blowers, microfibre cloths, lens brushes (camel hair) and liquid cleaning solutions.  Always follow your camera manufacturer’s instructions when self-cleaning, as too much fluid or a dirty brush can cause issues.

Cleaning dust from your sensor and lenses

Dust is everywhere, and it inevitably gets on and inside your camera. So, how do you go about cleaning dust on the sensor?

As we mentioned earlier, before you attempt to clean your sensor, you should use your camera’s automatic clean mode (if it has one) to see if you can dislodge the particles. Some cameras do this automatically when turned off, but it always is worth trying first.

Navigate to your camera menu and select clean manually. You’ll likely see a few options: controls for automatic cleaning when the camera is turned on or off, an on-request self-cleaning cycle, and the option to prepare the camera for manual sensor cleaning.

It’s very, very important to make sure that your camera’s battery is fully charged, as if it runs out of power mid-clean it may turn off and damage your sensor. Indeed, some cameras block access to this function unless the battery is at least half-charged

One of the safest ways to clean your camera and lenses is to use a blower to get rid of any dust and residue. We would recommend that you never use compressed air to clean a camera sensor, as it’s not only too powerful, but the gas inside can briefly liquefy and stain your sensor.

If you don’t already own an аіr-blоwеr we have a range of quality options for sale. We stock blowers made from nоn-tохіс, еnvіrоnmеntаllу frіеndlу mаtеrіаl, rеѕіѕtаnt tо hіgh аnd lоw tеmреrаturеѕ. Air blowers are a safe and easy way tо blоw duѕt аwау, making it a breeze to clean your sensor, camera and lenses. They’re аlѕо grеаt fоr rеmоvіng сrumbѕ frоm уоur kеуbоаrd!

All rubber blowers deliver a strong burst of air to clean lenses

An air blower may not dislodge all the particles from a lens. If some are proving stubborn, you could always use a lens pen, which can pick up a lot of stubborn substances. Lеnѕ pеns are соmрасt in size, and some have an іntеgrаtеd bruѕh fоr gеntlу rеmоvіng аnу unwаntеd duѕt раrtісlеѕ оff уоur орtісаl еquірmеnt. We would recommend that you look for a lens brush that is made from camel hair, which is naturally anti-static and super-soft, so will not harm your lens.

Avoid touching the brush with your hands. It may seem insignificant but if the oils on your hand get to the lens, it could really do some damage. Lens pens are an easy-to-use cleaning accessory to ensure your equipment stays clean and dust-free.

Removes dust, grease spots and other smudges

Microfibre cloths and lens-cleaning solutions are other tools to have in your kit bag to ensure you always have a clean lens. There are a few precautions to consider, like ensuring cloths are kept clean, as you do not want to re-apply dirt and grime or particles that may scratch your lens. If you wash the cloth, avoid using liquid fabric softeners, as they may leave a chemical residue on the cloth and create streaks on your lens.

Our guide on how to clean your camera sensor safely

Sooner or later your DSLR or mirrorless camera is going to need its sensor cleaned manually.

There has been a lot of debate on the merits of do-it-yourself versus sending it out when it comes to cleaning sensors. While it’s better and safer to get it done professionally, as you take care to clean a sensor the right way, you shouldn’t have any problems. If you take a few basic precautions and handle your sensor with care, the potential for damage is small.

Here are a few tips to follow before cleaning your sensor:

  1. Make sure you have a fully charged battery. If the battery runs out while you’re working in the sensor chamber, the mirror will slap down and you’ll have to deal with a very expensive repair.
  2. Clean your camera body. It’s important that you clean the outside before opening up the inside. If you fail to do so, dust particles could enter your sensor.
  3. Make sure that the area you use to clean your camera sensor is clean and dust-free. You don’t want more dust to add to the dirt that you’re trying to remove.
  4. Be prepared and make sure you have all the necessary cleaning tools before you proceed.

The tools you’ll need for dry cleaning your camera sensor:

  • Aіr-blоwеr for bigger dust particles
  • Sensor scope to check for uncleared spots

How to clean camera sensor using the dry method:

  1. Place your camera on a table. Make sure you don’t touch anything as you clean.
  2. Start the cleaning process by blowing on the sensor with an aіr-blоwеr. Never use canned or compressed air.
  3. Blow on the mirror and the back of the lens. The sensor has an electrostatic charge when the camera is on in its normal mode (but not in sensor-cleaning mode) and it will attract dust like a magnet.
  4. Use your sensor scope. This is a magnifying glass with a light shining on the sensor. It will highlight sensor dust as tiny silver threads or spots.
  5. Repeat the process with the aіr-blоwеr and sensor scope until all spots have been removed.

For a deeper clean, you can wet-clean your camera sensor. These are the tools you’ll need:

  • Lens brush made from camel hair
  • Sensor-cleaning swab
  • Microfibre cloths
  • Lens-cleaning solution

How to clean camera sensor using the wet method:

  1. Read the directions on your lens-cleaning solution very carefully. The sensor-cleaning swab should be kept very clean, and carefully moistened right on the edge with two drops of solvent, each one placed one-fourth of the way in from the edge. This should evenly wet the edge.
  2. Let the solvent soak in a minute or so before swabbing. You don’t want to squeeze out liquid on the sensor glass.
  3. Tilt the swab and drag it in one pass from one edge of the sensor to the other. Next, turn it over and drag it back the other way, so the other side of the edge is being used.
  4. Brushing usually won’t remove all the spots, and you’ll need to resort to swabs and solvents. After brushing, you’ll need to repeat and if you see an elongated smear, you’ve brushed through an oil spot thrown by the shutter.
  5. When this happens you’ll need to clean the brush in its recommended manner before using it again, and you’ll need to use solvents to remove the oil.

Final steps in cleaning a camera sensor:

Complete your sensor check by shooting an image of a piece of plain white paper. It may take several repetitions of the process to make sure the sensor is clean.

It’s very important to keep the rear element of your lens and the sensor loupe clean, as dust can jump or fall from them onto the sensor. One handy tip to help keep the dust at bay in between professional cleans: attach a double-sided sticky tab on the inside of your body cap and rear lens cap. If any large pieces of errant dust are floating around on the back of your lens, or in the mirror box, they will stick to the tab and not the sensor.

Be careful not to use high-tack sticky tape or you’ll have issues removing it from the inside of your cap when it needs changing. Here at Fixation we only use special low-tack discs.

If you’re looking for a professional sensor-clean, you can bring your camera in for cleaning or send it in via post or courier. Our addresses and hours are listed on the Find Us page. Our technicians go the extra mile to ensure a thorough clean – for prices and turnaround times click here.

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