Sony introduces high-resolution Alpha 7R IV Camera with world’s first 61.0 MP back-illuminated full-frame image sensor
The Sony A7R IV mirrorless camera features an impressive 61MP full-frame sensor, making it the highest resolution camera in its class on release. The newly developed sensor is back-illuminated and offers up to 15-stops of dynamic range. The A7R IV also features the same pixel-shift multi-shooting mode as found in the A7 III, creating stunning 240MP images. Main Features
A brand new back-illuminated 35mm full-frame 61MP image sensor – a world’s first
15-stop of enhanced dynamic range
5-axis Optical In-Body Image Stabilisation
Superior AF performance: 567 phase-detection points, covering 74% of the frame
Real-time tracking iAF for both humans and animals
Built for video: Full sensor width capture, oversampled 6K for 4K capture, touch tracking.
Real-time iAF tracking for video – a first for Sony
Digital audio interface in camera – another first for Sony
A reliable professional tool: Dual UHS-II slots, refined focus control, 2.4+5GHz WiFi,
5.76 million dot UXGA OLED viewfinder
USB-C connecton
Sony releases long-awaited FE 35mm F1.8 lens
The lightweight 35mm prime lens for full-frame cameras is a versatile choice for everything from table-top photography to the great outdoors. Fast, quiet AF operation and reliable AF tracking make it suitable for shooting videos as well as stills
Main Features
Standard prime lens with fast F1.8 aperture
Quiet, reliable AF tracking for movies as well as stills
9-blade circular aperture for smooth bokeh
An aspherical element for high corner-to-corner resolution
Dust and moisture resistant design
Sigma has launched a newly developed, high-performance lens series for full-frame mirrorless cameras
The Sigma 45mm F2.8 DG DN “Contemporary” is compact in size while maintaining high image quality and is compatible with full-frame mirrorless cameras.
Main Features
Mount with dust- and splash-proof structure
Full-time manual mode
Available Mount Conversion Service
Designed to minimize flare and ghosting
Evaluation with SIGMA’s own MTF measuring system: A1
7-blade rounded diaphragm
High-precision, rugged brass bayonet mount
The Sigma 35mm F1.2 DG DN “Art” enables a creation of artwork with astounding resolution and large bokeh effects, such as portraits that make use of a shallow depth of field.
Main Features
Full-time manual mode
Hood with lock
Available Mount Conversion Service
Designed to minimize flare and ghosting
Evaluation with SIGMA’s own MTF measuring system: A1
11-blade rounded diaphragm
High-precision, rugged brass bayonet mount
The Sigma 14-24mm F2.8 DG DN “Art” is a large-diameter, ultra-wide-angle zoom lens for full-frame mirrorless cameras. While pursuing the ultimate image quality of the Art line, the size is reduced thanks to the exclusive design for mirrorless cameras.
Main Features
Full-time manual mode
Available Mount Conversion Service
Designed to minimize flare and ghosting
Evaluation with SIGMA’s own MTF measuring system: A1
11-blade rounded diaphragm
High-precision, rugged brass bayonet mount
The new Canon RF 24-240mm f4-6.3 IS USM Lens is the perfect travel companion with its portable, versatile 10x zoom lens for the EOS R system that’s ideal for everything from wide-angle landscapes to frame-filling portraits, and even close-up sport and wildlife. This lens represents a new standard in full-frame image quality, especially at this focal range.
Near-silent Nano USM focusing: Fast for stills; smooth for video
Five-stop Image Stabilizer: Protects against blur from camera shake
Weighs just 750g: Portable lightweight design
Circular, seven-bladed aperture: For smooth, natural bokeh
Large lockable zoom ring: Turns through 100°
Clickless 1/8-stop aperture control: When shooting movies
Customisable control ring: Adaptable to the way you work
Full-time manual focusing: Take control at any time
Built for the EOS R system: Maximise the performance of your EOS R
FUJIFILM has launched their latest addition to the X Series lens lineup.
The FUJINON XF16-80mmF4 R OIS WR is a compact 5x zoom lens that covers a range of focal lengths from wide angle to mid-telephoto with a constant F4 aperture
Main Features
Advanced image quality
Compact, lightweight and stylish design for superior operability
Powerful OIS
Fast and silent autofocus
The lens barrel is sealed at 10 locations making the lens dust and weather resistant and capable of operating at temperatures as low as -10°C
FUJIFILM launchesits their smallest GF lens yet for the GFX Large Format System, the FUJINON GF50mmF3.5 R LM WR which is the tenth lens for GFX large format system
Main Features
Outstanding image quality
Compact 84x48mm and weighing only 335g.
High performance, fast and silent.
Durable, sealed in ten places, making it dust and weather resistant
Fujifilm has launched its next medium format camera, the GFX 100. Fujifilm’s GFX 100 is a medium format camera that performs like a mirrorless with a monstrous 102MP sensor and insanely high-end specs
The new model joins the GFX 50S and GFX 50R, released in 2016 and 2018, respectively. The GFX 100 introduces some major leaps over the prior models, including the new in-body image stabilization and much faster performance. The new 102-megapixel sensor also provides significantly higher resolution, putting the GFX 100 on par with some of the higher-end medium format systems from Hasselblad and Phase One. It’s capable of shooting 4K video and boasts fast autofocus, In-Body Image Stabilization (IBIS), 10bit internal video recording and much, much more. In fact, the sensor isn’t the only part of the GFX 100 that comes with a big number. The new pro shooter includes some jaw-dropping specs that promise all-round top-notch performance.
The heart of the camera is a newly developed, back illuminated, 102 megapixels, 43.8 x 32.9 CMOS image sensor (Approximately 1.7 times larger than a 35mm Full Frame sensor). Behind you will find the “X-Processor 4” image processing engine (The same that runs the X-T3). The phase detection autofocus system covers 100% of the image sensor, allowing fast accurate tracking. The five-axis IBIS mechanism was developed from the ground up to allow handheld “shake free” operation. Fujifilm has also improved its face- and pupil-detection technology and, the company claims, the GFX 100 will be able to track eyes even when the subject is turning away from the camera or is partially obscured by another object.
Main features
Perfectly suited to being used in a studio and outdoors in harsher environments
102-megapixel back-side illuminated large format sensor (43.8mm x 32.9mm)
In-body 5-axis image stabilisation (IBIS) reduces shake by up to 5.5 stops
Phase detection pixels across the entire sensor for faster and more accurate AF
4K/30p video recording (10bit 4:2:2 externally and 4:2:0 internally)
Native ISO range of 100-12,800 (expandable from 50-102,400)
5.76-million dot EVF with 100% coverage and 2.6-million dot 3.2″ tilting LCD display
Lightweight, highly-durable dust- and weather-resistant, magnesium-alloy body
Integrated vertical grip offers more stability and can hold one or two NP-T125 batteries
Twin SD card slots and ports for USB-C, external mic and headphones
High continuous shooting at 5.0fps
Enhanced operability and versatile information displays (battery life, shot count and settings)
Expansive range of GF series (G-mount) lenses available
Nikon today introduces the first of the f2.8 pro lenses for Nikon Z. The NIKKOR Z 24-70mm f/2.8 S is a professional lens that boasts an exceptionally compact build, advanced optics, and extensive weather sealing. Stills or video, this workhorse lens delivers superb results.
Main feature
Exceptional close-up performance: Minimum focus distance of 0.38m
Advanced optical design: 17 elements in 15 groups with anti-reflective ARNEO and Nano Crystal coatings
Customisable control ring: Manual focusing (default), silent aperture control (great for iris transitions during video recording), or exposure compensation
L-Fn (lens function) button: Assign up to 21 different functions. From AF lock to metering, bracketing, and more. OLED information display panel: quickly confirm aperture, focus distance, exact focal length, and depth of field
Tough, compact build with extensive sealing to protect from dust and moisture
The Canon EOS RP is essentially a smaller, lighter and cheaper alternative to the imaging giant’s first full-frame mirrorless camera, the EOS R
Just like its bigger sibling, the EOS RP is powered by the DIGIC 8 image processor and boasts Canon’s coveted Dual Pixel CMOS AF. The mirrorless camera houses a full-frame 26.2MP CMOS sensor and is capable of reaching a maximum ISO of 40,000. Alongside Dual Pixel CMOS AF, the EOS RP matches its high-end counterpart’s 88% horizontal and 100% vertical coverage. And – although not quite as impressive as the EOS R’s mammoth 5,655 AF points – the EOS RP still packs a similarly jaw-dropping 4,779 AF positions. It also features Face+Tracking, Eye AF, One-shot AF and Servo AF modes, and those shooting in low light can make use of the camera’s ability to focus down to an impressive -5 EV.
Main features
Incredible quality images at any time of day
EOS handling without compromise
See everything, miss nothing with Dual Pixel CMOS AF
Shoot flexibly and connect seamlessly
Create high quality and super-steady movies
The Fujifilm X-T30, the follow-up to the X-T20, now boasts Fujifilm’s fourth generation image sensor and processor found in the X-T3.
Designed for all photographers from beginner to advanced, the X-T30 offers phase detection pixels across the entire frame, Full HD and 4K/30p video recording, a new intuitive 3.0″ touch-screen, and an improved body design for increased comfort and stability.
Main features
New Fourth generation 26.1-megapixel APS-C X Trans CMOS 4 image sensor and X Processor 4 (same as X-T3)
AF algorithm has been improved to deliver even more advanced AF-tracking performance for both stills and video
100% phase detection pixels are now across the entire frame, making it possible to quickly and accurately focus on a subject
Improved video functionality: 4K at 30fps, Full HD 1080p, including 120fps to create super slow motion effects
Filmmakers needing high colour fidelity can record 10-bit, 4:2:2 colour through the camera’s HDMI port
New Focus Lever: replaces Selector Buttons to achieve faster and more intuitive camera operation, allows for extra grip too
Improved ISO: extended 80-51200, standard ISO160-12800
Built-in WiFi for shooting from your smartphone or tablet devices
1x SD UHS-I card slot, built-in Wi-Fi and Bluetooth V.4.2, headphone Jack via USB-C Adapter & NP-W126S battery
The Fujifilm XF16mm f2.8 R WR Lens expands the X series line-up of compact, lightweight and stylish lenses with a focal length that’s suitable for architecture, landscape and low-light photography Designed for Fujifilm’s mirrorless cameras, the lens features a focal length equivalent to 24mm (in the 35mm format), has a maximum aperture of f2.8 and adopts an inner focusing system driven by a stepping motor for faster and quieter auto-focusing.
Main feature
The lens features 10 lens elements in 8 groups including two aspherical elements. Optimal arrangement of aspherical lenses suppress spherical aberrations and field curvature while maintaining high performance from the center of the screen to every corner.
The lens weighs just 155g and is 45.4mm in length. It is the widest lens of the compact prime lens series. The aperture and focusing rings feature precise click stops and smooth damping for enhanced operation. The metal exterior uses the same design style as XF23mmF2 R WR, XF35mmF2 R WR, and XF50mmF2 WR for a robust, premium feel.
The inner focusing AF system uses a stepping motor to drive lightweight focusing elements for a fast, silent autofocus performance.
The lens is weather-sealed at nine points around the barrel making it weather and dust resistant. It is designed to operate in temperatures as low as -10°C. Used with the weather and dust-resistant FUJIFILM X-Pro2 or X-T1/T2/T3, and X-H1 bodies means users can shoot confidently in light rain or dusty environments without worrying about the conditions.
The Fujifilm X-T3 features a new X-Trans CMOS 4 sensor and X-Processor 4 image processing engine for the delivery of outstanding stills and video. Is this the moment to switch to mirrorless?
Fujifilm has officially announced the new X-T3. The APS-C mirrorless camera boasts superb image quality and an enhanced ability to track a moving subject – AF performance has been significantly improved and the electronic shutter is capable of up to 30fps blackout-free burst shooting. The X-T3 is also the world’s first APS-C mirrorless camera that can record internal 10-bit 4K video at 60fps.
Main features
– The combined might of the X-T3’s X-Trans CMOS 4 sensor and X-Processor 4 is set to deliver superb image quality and the fastest processing in X-Series history.
– The X-T3’s X-Trans CMOS 4 sensor boasts four times the number of phase detection pixels than the camera’s predecessor (the X-T2). This has increased the phase detection AF area to cover approximately 100% of the frame.
– The X-T3’s electronic shutter is capable of blackout-free continuous shooting at up to 30fps. The mechanical shutter is capable of continuous shooting at 11fps (without the vertical grip).
– Improvements have been made to the mirrorless camera’s low-light performance. The X-T3’s native ISO range is 160-12,800 and its low-light AF limit is -3EV.
– Enhanced viewfinder performance should improve the user’s ability to track a moving subject. The new Sports Finder mode is targeted towards action photographers by capturing a 1.25x crop, marked on the rear LCD or EVF. The larger field of view is intended to aid the manual tracking of a subject, while also decreasing the blackout time.
– The X-T3 can capture 4K at 60fps in 10-bit 4:2:0 internal SD card recording and 4K at 60fps in 10-bit 4:2:2 HDMI output (both can be filmed at the same time). Supported video formats include the widely-used MPEG-4 AVC and HEVC for greater data compression.
*As of September 6, 2018, according to FUJIFILM data
Vertical Power Booster Battery Grip VPB-XT3 (designed specifically for the X-T3)
This Vertical Battery Grip is dust and water resistant, and is capable of operating at temperatures as low as -10°C. It houses two batteries, bringing the total number of batteries to three (including the one in the camera body). This increases the maximum number of frames that can be taken per charge to approximately 1,100 (in Normal mode). The camera does not need to suspend its operation to switch to a new battery, even during continuous shooting or video recording.
Main features
– The grip features a variety of buttons to provide the same level of operability when shooting vertically, as you’d expect when shooting horizontally.
– Charge batteries within the VPB-XT3 by using the supplied AC adapter (AC-9VS). You can fully charge two batteries at the same time in approximately two hours.
Key Features: Fujifilm X-T3 Digital Camera Body – Black
New back-illuminated 26.1MP X-Trans CMOS 4 APS-C sensor
New X-Processor 4 image processing engine
4K/60P 4:2:0 10bit internal SD card recording
Full HD 1080/120p slow motion recording
Dramatically improved AF performance (1.5x faster)
ISO160-12800 (extendable from ISO 80 to 51200)
Features Fujifilm’s Colour Chrome Effect found in the GFX50S
Through three generations of the X-Trans sensor, through many sophisticated viewfinders, and through a smorgasbord of retro-styled camera bodies, the Fujifilm X series has come a long way. Comprising a mix of compacts and CSCs, the series blends vintage cool with serious imaging power.
If you’re new to the series, it’s easy to get lost just finding a place to begin. Read on as we break down the different camera lines within the series, and let us help you find the right Fuji X model for you…
The X100 series
It all began in 2011. Photographers and journalists alike were caught off-guard by one particular announcement at Photokina – a new compact camera from Fujifilm, eschewing the clunky, DSLR-style handling of previous models in favour of a sleek, retro-inspired design that would become the series’ hallmark. That was the Fujifilm X100, then known as the FujifilmFinePix X100, an ungainly middle name that would swiftly be dropped.
Pairing a fixed 35mm lens with a 12.3MP APS-C CMOS sensor (the famous X-Trans sensor debuted a little later), the X100 uses a hybrid optical and electrical viewfinder, allowing the user to switch between the two modes at will.
The X100 was followed up in 2013 with the X100S, incorporating the second generation of the X-Trans CMOS sensor, with 16.3MP of resolution and no optical low-pass filter. The sensor allows for fast phase-detection autofocus with acquisition times as low as 0.08sec. Fujifilm also fine-tuned the controls, responding to some of the criticisms of the X100.
In 2014, Fujifilm updated the line with the X100T, which used the same sensor and lens combination as the X100S but added the option of an electronic shutter capable of shooting at up to 1/32,000sec, as well as built-in Wi-Fi, a more advanced viewfinder, face recognition and more.
Now, this is where it gets slightly confusing, but bear with us. In 2016 Fuji released the X70, which sounds as though it should belong with the X10, X20 and others of that nature, but doesn’t. Whereas those are small zoom compacts, the X70 sports a prime lens and is more like a mini-X100T. So, despite, the name, it really belongs with the rest of the X100 cameras.
The most recent model in the line is the X100F, which was announced in January 2017. The significant gap between models meant considerable improvements, among them the third generation 24.3MP X-Trans III CMOS sensor and the X-Processor Pro image engine. The X100F wowed reviewers and photographers with its fast and accurate 91-point autofocus system, and its large viewfinder with a 60fps refresh rate.
Fujifilm X100F
Sensor: 24.3MP X-Trans CMOS III APS-C sensor
Lens: 23mm Fujinon lens (equivalent to 35mm on a 35mm format)
Burst speed: 8fps
ISO range: 200-12,800 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Fujifilm X70
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Lens: 18.5mm Fujinon lens (equivalent to 28mm on a 35mm format)
Burst speed: 8fps
ISO range: 200-6400 (expandable to 100-51,200)
Viewfinder: No
Fujifilm X100T
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Lens: 23mm Fujinon lens (equivalent to 35mm on a 35mm format)
Burst speed: 6fps
ISO range: 200-6400 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Fujifilm X100S
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Lens: 23mm Fujinon lens (equivalent to 35mm on a 35mm format)
Burst speed: 6fps
ISO range: 200-6400
Viewfinder: 2.36-million-dot hybrid viewfinder
Fujifilm X100
Sensor: 12MP APS-C sensor
Lens: 23mm Fujinon lens (equivalent to 35mm on a 35mm format)
Burst speed: 5fps
ISO range: 200-6400 (expandable to 100-12,800)
Viewfinder: 1.44-million-dot hybrid viewfinder
The X-Pro series
The Fujifilm X-Pro1 was the first indication that the X-series could be the real deal for pros, being the first X camera to take XF lenses. Launching in 2012, its sturdy, pro-quality build was an indicator of the quality within. It was the first camera to use the now-famous X-Trans sensor, and its resolutely dial-based control system won over legions of photographers who wanted a tactile handling experience. Reviews praised its high-ISO performance and its hybrid viewfinder, and the X-Pro1 was a deserved smash hit.
Photographers had to wait four long years for the difficult second album, but happily Fujifilm didn’t bottle the sequel. The X-Pro2 was an update with everything pro photographers wanted, delivering the latest X-Trans sensor to provide lossless compressed 14-bit Raw capture, as well as a wider ISO sensitivity range which could be used for both Raw and JPEG shooting (many previous X-series models would only shoot JPEGs) in the higher ISO bands.
Fujifilm X-Pro2
Sensor: 24.3MP X-Trans CMOS III APS-C sensor
Burst speed: 14fps
ISO range: 200-12,800 (expandable to 100-25,600)
Viewfinder: 3.69-million-dot hybrid viewfinder
Max video resolution: 4K/30p 4:2:0 8-bit internal recording at a maximum of 200Mbps
Fujifilm X-Pro1
Sensor: 16MP X-Trans CMOS APS-C sensor
Burst speed: 6fps
ISO range: 200-6400 (expandable to 100-25,600)
Viewfinder: 1.44-million-dot hybrid viewfinder
Max video resolution: Full HD at 324p
The X-H series
The Fujifilm X-series has unquestionably been an enormous success for photographers, revitalising the brand’s fortunes with a superb selection of stylish cameras. However, there’s generally not been a lot to tempt videographers away from reliable workhorses like Canon or exciting upstarts like Sony.
The Fujifilm X-H1 represents the first real attempt to change that. Announced in 2018, the X-H1 is capable of 4K/30p 4:2:0 8-bit internal recording at a maximum of 200Mbps, with an HDMI out and a new dedicated video menu. Full HD video can also be captured at the super slow rate of 120fps, while there’s also F-log video recording direct-to-card available. All of Fuji’s film simulation modes can be used on video footage, and there’s an external microphone socket as well as a headphone jack for monitoring audio.
The X-H1 is also the first in the X series to come packing in-body image stabilisation (IBIS), and it has an overhauled design with a larger grip and new leaf-spring shutter release button. The shutter sound is also the quietest in Fujifilm’s stable.
The X-H1 represents an exciting move forward for the X-series, and promises that Fujifilm isn’t done innovating just yet.
Fujifilm X-H1
Sensor: 24.3MP X-Trans CMOS III APS-C sensor
Burst speed: 14fps
ISO range: 200-12,800 (expandable to 100-25,600)
Viewfinder: 3.69-million-dot hybrid viewfinder
Max video resolution: 4K/30p 4:2:0 8-bit internal recording at a maximum of 200Mbps
The X-E series
After the much-hyped announcement of the X-Pro1, enthusiast and amateur photographers were very interested to know when they could get hold of an interchangeable-lens X-series camera that wouldn’t cost them the earth. That came in the form of the X-E1, a slimmed down X-Pro1 that gave prospective X-system users a second body option. It used an EVF instead of the hybrid viewfinder of the X-Pro1.
This was followed up with the X-E2, boasting 60 improvements over its predecessor including the X-Trans II sensor, built-in Wi-Fi and an improved EVF. Fujifilm refreshed this camera with a minor update in 2016 — the X-E2S, which boasted a few tine-ups such as a higher ISO ceiling, improved autofocus and a new electronic shutter offering maximum shooting speeds of 1/32,000sec.
The following year, Fujifilm delivered the X-E3, a more comprehensive update with the latest in sensor technology. A larger shooting buffer, a faster autofocusing algorithm for improved tracking, 4K video recording and a redesigned ergonomic body were just some of the improvements that made the X-E3 as well-received as the cameras that came before.
Fujifilm X-E3
Sensor: 24.3MP X-Trans CMOS III APS-C sensor
Burst speed: 14fps
ISO range: 200-12,800 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Max video resolution: 4K/30p 4:2:0 8-bit internal recording at a maximum of 200Mbps
Fujifilm X-E2S
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Burst speed: 7fps
ISO range: 200-6400 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Max video resolution: Full HD at 60p
Fujifilm X-E2
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Following the success of the X-Pro1, Fujifilm set about bolstering its high-end offering with the release of the X-T1 in 2014. The 16.3MP X-Trans CMOS II sensor and X-Processor II are housed within a weather-resistant body designed for rugged, outdoor shooting, with 75 seals designed to keep out dust and water. Add on a beefed up LCD and viewfinder, an optional battery grip and improvements in burst shooting and AF speed (a lean 0.08 seconds), and you’ve got a camera with the imaging spec of contemporaries like the X-E2, but with the build, features and ergonomics required by pros.
Of course, not everyone can afford the pro price tag, and Fujifilm went about wooing those with a little less cash to flash by introducing a smaller counterpart to the X-T1 — the X-T10. Featuring the same imaging internals as its bigger brother, the X-T10 provides a compromise with a smaller viewfinder and LCD, as well as a generally smaller body that lacks weather sealing.
When it came time to update the X-T1, Fujifilm delivered the superb X-T2, outfitted with the latest-generation sensor and an overhauled AF system, as well as a viewfinder offering twice the brightness of the X-T1’s. The X-T2 was also the first member of the X series to offer 4K video recording, shooting a bit rate of 100Mbps and at a maximum resolution of 30p.
In a move that surprised nobody, Fujifilm also brought out a miniature version of the X-T2, the X-T20. It followed the format of the X-T10, using the same sensor as its bigger brother, but skipping a few features such as a second card slot and a fully articulating screen in order to deliver a smaller camera, for a lower price.
Fujifilm X-T20
Sensor: 24.3MP X-Trans CMOS III APS-C sensor
Burst speed: 14fps
ISO range: 200-12,800 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Max video resolution: 4K at 30p
Fujifilm X-T2
Sensor: 24.3MP X-Trans CMOS III APS-C sensor
Burst speed: 14fps
ISO range: 200-12,800 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Max video resolution: 4K at 30p
Fujifilm X-T10
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Burst speed: 8fps
ISO range: 200-6,400 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Max video resolution: Full HD at 60p
Fujifilm X-T1
Sensor: 16.3MP Fujifilm X-Trans CMOS II APS-C sensor
Burst speed: 8fps
ISO range: 200-6,400 (expandable to 100-51,200)
Viewfinder: 2.36-million-dot hybrid viewfinder
Max video resolution: Full HD at 60p
The XQ series
A selection of dinky, pocketable compacts, the Fujifilm XQ cameras are ideal for enthusiasts who need something light. Despite its size, the XQ1 manages to pack in some advanced features such as Raw shooting, while its successor the XQ2 adds the Classic Chrome film simulation mode and a retro black finish.
Fujifilm XQ2
Sensor: 12MP 2/3-inch X-Trans CMOS II sensor
Lens: 6.4-25.6mm Fujinon lens (equivalent to 25-100mm on a 35mm format)
Burst speed: 12fps
ISO range: 100-3200 (expandable to 12,800)
Viewfinder: No
Fujifilm XQ1
Sensor: 12MP 2/3-inch X-Trans CMOS II sensor
Lens: 6.4-25.6mm Fujinon lens (equivalent to 25-100mm on a 35mm format)
Burst speed: 12fps
ISO range: 100-3200 (expandable to 12,800)
Viewfinder: No
The X-A series
The X-A compact system cameras are the cheapest interchangeable lens cameras in the Fuji line-up, designed with the entry-level user in mind. The range has gone through a fair few models: first the X-A1 in 2013, which offered a small and light body to use X lenses on, without the X-Trans sensor. This was followed by the X-A2, which was billed as a selfie camera thanks to its about-facing LCD screen and variety of selfie-modes. Fujifilm next bulked out the line with a more advanced offering, the X-A3, and a new slimmed-down entry-level model, the X-A10. Finally, in 2018 came the X-A5, which brought in phase-detect AF tracking and limited 4K functionality.
Fujifilm X-A5
Sensor: 24.2MP CMOS APS-C sensor
Burst speed: 6fps
ISO range: 200-12,800 (expandable to 100-51,200)
Viewfinder: No
Max video resolution: 4K at 15p (max 5 minutes)
Fujifilm X-A10
Sensor: 16.3MP CMOS APS-C sensor
Burst speed: 6fps
ISO range: 200-6400 (expandable to 100-25,600)
Viewfinder: No
Max video resolution: Full HD at 30p
Fujifilm X-A3
Sensor: 24.2MP CMOS APS-C sensor
Burst speed: 6fps
ISO range: 200-6400 (expandable to 100-25,600)
Viewfinder: No
Max video resolution: Full HD at 60p
Fujifilm X-A2
Sensor: 16MP CMOS APS-C sensor
Burst speed: 5.6fps
ISO range: 200-6400 (expandable to 100-25,600)
Viewfinder: No
Max video resolution: Full HD at 30p
Fujifilm X-A1
Sensor: 16MP CMOS APS-C sensor
Burst speed: 5.6fps
ISO range: 200-6400 (expandable to 100-25,600)
Viewfinder: No
Max video resolution: Full HD at 30p
The X_0 series
The X_0 cameras are another compact range, smaller and less prestigious than the X100 series, with zoom lenses rather than primes. With more affordable price tags, they are ideal for the beginning photographer or light traveller, and have actually been around more or less since the series’ inception, with the FinePixX10 debuting shortly after the X100 in 2011, sporting a smaller 2/3-inch sensor and a 28-112mm equivalent lens. This was replaced in 2013 by the X20, which sported a new 2/3-inch X-Trans CMOS II sensor and a new viewfinder, and then the X30 the following year, which ditched the optical viewfinder in favour of an electronic model.
Fujifilm X30
Sensor: 12MP 2/3-inch X-Trans CMOS II sensor
Lens: 7.1-28.4mm Fujinon lens (equivalent to 28-112mm on a 35mm format)
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